Day to Night with James Knappett and Sandia Chang
It's mid-morning in Fitzrovia, and we're at Kitchen Table with the co-founders of the restaurant, Executive Head Chef, James Knappett, and Service and Beverage Director Sandia Chang. With the BT Tower looming above, the streets of Central London are quiet, soundtracked by a gentle hum of productivity emitting from the two Michelin starred restaurant as its staff prepare for the evening ahead. With the smell of canelé wafting from the kitchen, and the occasional clatter of cutlery, James and Sandia are telling us about where it all began, laughing and interrupting each other in their haste to tell stories.
SANDIA The funny story is that, when we first met we did talk about how both of our dreams was to one day open a restaurant. That was one of our first date chats. So when we were offered the site, we just looked at each other and were like "well we did talk about opening a restaurant!" But we had never talked about what kind… So we just literally split the restaurant in half, and helped each other… So, we had different dreams, but somehow, we ended up here with the same dream. And it was so much fun.
JAMES Where we're sitting now, when we originally opened this restaurant, it was another concept of ours called Bubbledogs, where we only served grower champagne and hot dogs —
SANDIA — To explain grower champagne: most people don't know that most champagne comes from big houses… Because it's quite expensive to make champagne. So it’s a rare thing, where the majority of our producers produce maybe fifty thousand bottles a year, while a big house can produce twenty-five million. It's a big difference, and they are farmers, as well as wine makers.
JAMES So this whole area was just hotdogs and champagne, with Kitchen Table as you go through the curtain… And we would refine the concept a little bit, and then we matured the concept… And then, as much as the pandemic was a disaster for the world, and for us and everything, what it did give everyone was time.
SANDIA I think we took advantage of the situation, and turned it into a positive thing. We saw that, you know, change needed to happen… We just took it by the horns and said, this is what we want.
JAMES We saw that Kitchen Table was the one that could have the longer life, if we never recovered from the unknown situation we found ourselves in. So we had this monumental amount of time to design the restaurant… So this piece of marble on the wall behind you, I personally went to the marble yards and picked this piece out… I had the time to handpick everything… it's very personal.
SANDIA I say moody, but in a very classy way.
JAMES I mean, should this ever look dated, I'm done, I'm out!
It's approaching lunchtime, and we've lost track of time sat in Kitchen Table's lounge, where guests start their dining experience with champagne, cocktails, and a few snacks before moving into the dining area. With an array of bottles lining the shelves above us, alongside antique pieces personally sourced by James, the pair gesture around the space, each animatedly adding details to the dining experience. Tripping over each other's words, James and Sandia light up as they describe Kitchen Table's rhythm, with each movement meticulously mapped across the space.
JAMES How Kitchen Table runs today has been the same since day one — just without the movement that we now have… I think that movement breaks your mind, it refreshes your feelings with you. You've had three different experiences, whereas if you sit at the same table you started it, by a certain time you're like "Right, let's go somewhere else!" So instead of going somewhere else, we introduce the movement.
SANDIA The way the menu works is something that we both learned from working together. So we always start with a few snacks, and those are always great with champagne to start. Then we follow in with a couple of light dishes, you know some fresh fish, then we go into a couple of heartier seafood dishes, then pasta, then with a lighter meat dish and a fuller meat dish, then cheese, and then dessert.
JAMES Yeah, so we like to think of the lounge as sort of, as Sandia says, where you start, but then you actually come back at the end. You start your evening in here, where the lights are a little brighter and there's the energy of your experiences about to start. We go through to the main counter, and you have the main dinner, then you come back in and finish. But when you're back, the lights have come down and the candles are on. The mood changes from your fresh drinks and champagne at the beginning, it turns into coffees, whiskey, digestif, cocktails — all a little darker. So in this sense, you have three movements within the meal.
SANDIA It's a format that we have worked with since we met. So with the wines, it translates into almost the same; we start with the light wine, or champagne, then we go from the lighter whites, into a fuller white, a light red, a fuller red, a cheese wine, and then a dessert wine. It's almost like, a mirror of the menu, and what you get in terms of flavour and texture, will mirror with the wine pairing as well. But we also offer a completely separate all-champagne pairing as well… I always explain to our staff that champagne is like fashion, because every house has its style — their look, but with each season you come up with new designs, and shirts and trousers, all under this style. So, for champagne, you have different forms — those lighter styles, those fuller styles, fortified wine, a port style, rosé… We put together those styles, following the same textures and flavours of the menu.
Early afternoon has arrived, and, in the spirit of the movements across the restaurant that James and Sandia have explained to us, we've wandered from the lounge and into the dining space of Kitchen Table. A horseshoe bar that brings the usually hidden theatre of the kitchen to the forefront of the dining experience, James, Sandia and their team prepare, serve and talk diners through each evening's menu. As we sit and discuss the hyper-seasonal, ever evolving menu that they prepare each day, a sous chef carefully cuts fresh pasta for the evening ahead.
JAMES So here, we, the chefs, explain every dish. It's like a tasting menu. We cook the best of British produce every single night for you… You don’t get to see the menu before you eat, so there's this element of what's next? This daily changing menu is my biggest passion, and the whole reason I absolutely love living in England, it's the nature and the weather that we have… We have four seasons, you know we really go for a winter. We do have spring, Summer was fantastic this year!
SANDIA — We work with seasonality, and we work with how the dishes fall within the menu… We never react to trends, because trends are short lived, but habits are longer lived. So we look at the menu every day, but the big changes come seasonally —
JAMES — And within those seasons, without even being a chef or anything, most people have a feeling for what they want to eat: if you're up on Hampstead Heath on a super cold dog walk, and your feet have got a bit wet and its raining, it smells great and the leaves are there, you go to a pub and the last thing you want are fresh strawberries with asparagus and burrata. You want a hot soup, or a baked potato or pork with apple sauce and mustard! That outside environment, it gives you feelings…
SANDIA We manage the same schedule… we've been working together for nineteen years, I know his palette, I know his food, and even if he only gives me a dish on paper, I can sense what it will taste like. I know what his sauces are like, I know why he adds yoghurt to a certain thing, and what that adds to a dish, so I can choose the wine to go with it. I believe there's not only one wine that goes with one food perfectly, there's many different wines that can go with that dish and be perfect. Sometimes, he might be crazy and put something like a venison ragu at the beginning of the menu, and then, I will go downstairs and tell him that it just doesn't work!
Heading into the afternoon, our time at Kitchen Table is nearing an end. The restaurant has become livelier, as the team inside grows, eagerly preparing for the first diners of the evening. James and Sandia say goodbye to their team, with Sandia dashing off to pick up their two children from school, and James taking us to The George. "A proper boozer" standing since the eighteenth century, filled with original tiles and hand etched glasswork, James enthusiastically gives us a tour, dashing between late lunchers and early drinkers, greeting his staff and pointing out his favourite details of the listed London landmark.
JAMES It's such a beautiful pub. We're not sure how old it is, we just know it's very, very old. We knew about the pub a long time ago, me and one of my business partners used to drink in there way before we ever thought that it was going to be something that we could take over… It's all original, it really nice. It's everything you want a pub to be. When you're out and you just want to go to the pub for a pint, it gives that feeling. I think that the main person that goes to the pub is having a good time, right? Here you can see a thousand different people a week, tourists, people working, people passing by, people walking by, people hearing about us and coming in…
Ushering us upstairs, James points out a small, snug of a bar, serving up whiskey and privacy, before guiding us first into the green room — an intimate, emerald hued dining room — and then into the main dining area. The perfect place to talk about The George's impressive menu, large, original fireplaces shape the space, placing today's diners within the pub's history.
JAMES You can eat downstairs at the tables, but it is busy and its noisy. So we went upstairs and we made that into a beautiful dining room. A slightly different feel, where you can sit down and actually have a meal, rather than the hustle and bustle of the pub. Then there's a private dining room too, another beautiful space.
The menu has slowly become dictated by the what the guests want… When we opened up, I wrote what I thought was the best menu the planet had ever seen, you know all these beautiful pub classics… Piccalilli and pork pies, curry, half pints of prawns, scampi and chips… And people weren't interested, they didn't want it, and I couldn't work our why and for a little while I was a bit grumpy about it, but then we put fried chicken on and we couldn't make it fast enough — we put toasties on, can't make them fast enough. Curry flies out the door! And you know, if that's what people want, you sort of give it to them. And we've adapted, but we still have the classics like fish and chips. That's probably out best seller, a huge tourist dish. But personally my favourite. There's a burger, there's always a good steak and chips, and then the more snacky foods, which are becoming more popular.
Back downstairs and the pub is filling up; offices are slowly closing, and crowds are trickling in for after work pints and glasses of wine. James has to run back to Kitchen Table, but has time to answer one more question for us. As we snack on chips (and The George's signature Irish coffee), he revisits a question from earlier in the day, reflecting on what he would hand down to future generations.
JAMES Sandia gave a very different answer to me —
SANDIA, earlier in the day, as she gave us a guided tour of the Kitchen Table wine cellar — My family always made memories and experiences, these are much more important than material things. I would like to hand down a celebration of food and wine, and with our kids, we celebrate everything. So I would like to pass down to our children the sense to celebrate every day with food — and wine!
JAMES If I had to pick one thing, I'd probably say all my Arsenal shirts! When my boy fits in them he'll go to the game, and wear them, and he'll say "this was my dad's 2025 shirt, and I think that's cool." I was brought up to appreciate and treasure everything we got, but each one of those shirts has a memory, from this season, or last, and so on.